It’s Only Rock ‘n’ Roll – But I Liked It.

It was claimed that The Rolling Stones had never before been asked to perform at Glastonbury. Whether this was down to oversight, error or whatever, the wait was certainly worthwhile. Whether they would have been better in the 70’s 80’s90’s is another matter. Every decade has held it’s own internal crisis within the band. Even the current 50th anniversary tour has been hit by controversy, not the ticket price of their forthcoming London dates (are they really worth £300?), but the refusal of founder member Bill Wyman to join them in the celebratory world tour. It would have been nice had Wyman stayed that extra day after his Rhythm Kings performance on the acoustic stage to join his ageing colleagues on the boards of the Pyramid stage. With the guest appearance of Mick Taylor, the only other person missing was Brian Jones, the anniversary of who’s death was only days after the Stones Glastonbury set.

The estimated record crowd (beating The Chemical Bros 2000) erupted with anticipation as the opening chords to Jumpin Jack Flash gently drifted across the vastness of Worthy Farm as the sun set on Saturday night. I say drifted, once again the sometimes welcome breeze that sweeps through the Vale of Avalon played havoc with the sound. Every engineers nightmare, and not appreciated by large sections of the crowd, dependent on where they were standing. It’s Only Rock ‘n’ Roll (But I Like It), Paint It Black, Gimme Shelter, it looked like they were getting what they came for. Glastonbury (Factory) Girl gave the media the hook they were looking for, and Jagger was more than happy to demonstrate that they had thought carefully about the long awaited performance. Up until that point The Stones had everyone hooked, but the introduction of Taylor following Wild Horses and Doom and Gloom seemed to lose the younger element of the crowd. Can’t You Hear Me Knocking went on far too long and combined with the sound problems led to a period of distraction for far too many. Honkey Tonk Woman partly re-engaged the audience, but that was soon lost with Keef’s mediocre vocals on You Got The Silver and Happy. You can forgive Mick for taking a rest considering his advancing years, as he returned with full facial and body contortions for Miss You, before diving back into the 60’s with Midnight Rambler, 2000 Lightyears from Home, and what had to be the crowds favourite, Sympathy For The Devil. Whoo Hoo echoed across the farm from the very first note as the tens of thousands anticipated the Jagger/Richards signature tune..

From then on it was pure Stones classic with Start Me Up and Tumbling Dice, then with Keith Richards chuckling and beaming as he ripped into Brown Sugar, they really turned on the turbo boost , Richard and Wood playing in unison and sharing their obvious enjoyment. The most cherished memories for me though were the the close up’s of Charlie Watts, grinning from ear to ear. Seeing Jagger on guitar and harmonica is a welcome reminder that he is equally responsible for those unmistakable Stones riffs that we all recognise. My one disappointment was You Can’t Always Get What You Want, written as a Bass led song, but no sign of Wyman and you had to strain hard to hear any bass line at all. The encore was concluded with I Can’t Get No Satisfaction. Two relevant titles to sum up their performance. There was something for everyone, and perhaps that was their only shortcoming, you can’t please all the people all the time.

Hailed as the high spot of 43 years of Glastonbury by founder farmer Michael Eavis, with an average age of 69. the Stones delivered on all counts. Jagger strutted back and forth across the specially built gangways with as much energy as he would 50 years ago. Richards played around with chords and riffs as he would have done when he met Jagger for the first time, cigarette hanging out of his mouth, holding his guitar like a sten gun strapped to his waist. They will have their critics, they did have their critics, but guitar bands of today can only stare in admiration, this is the band you owe it all to. This is the band that chose not to follow the smart clad, clean cut Beatles that my Dad approved of, and became the future of guitar music I craved. This was raw rock ‘n’ roll, but I liked it.

This entry was posted in Charlie Watts, Festivals, Glastonbury, Glastonbury Festival, Keith Richards, Michael Eavis, Mick Jagger, Music, Ronnie Wood, The Rolling Stones and tagged , . Bookmark the permalink.

3 Responses to It’s Only Rock ‘n’ Roll – But I Liked It.

  1. pete smith says:

    What a marvellous, literate, and eloquent review, so glad you enjoyed them after you saying you weren’t sure you’d be bothering. I only saw the abridged BBC broadcast so had no sound issues and thought they were tremendous considering their advanced ages.
    My cousin, however, who is a Stones fan and an accomplished guitarist, told me he thought the performance was embarrassingly poor. Maybe too much knowledge is sometimes not an advantage. Thanks again, hope you had a great festival and look forward to hearing more about it.

    Best wishes

    Pete Smith

  2. FreeMan TheFestivalSpirit says:

    Doing one of the things you do best mate, Thank you for the review, I would have been there if I had been there…


    Love Peace and Respect

  3. theraggedwagon says:

    Reblogged this on The Ragged Wagon and commented:
    Well-written review, Best review of the Stone at Glastonbury 2013 that I’ve read.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s